Since my last post showed a "first draft" very brand-new infant poem, this next one will be something a bit further along. The following is a 2nd/3rd draft of an exercise we did last fall in Pauletta Hansel's "Poetry Matters" class at Women Writing for a Change. The exercise itself is called "writing between the lines" (as described in JD McClatchey's The Practice of Poetry). You use the format of an existing poem to follow very closely, mirroring or responding to each line to create a new poem of your own. My model was Maxine Kumin's "After Love."
Here's mine:
After Birth
Afterwards, the cold.
My body, shivering without you.
The cord all that remains
of what once tethered us.
Warmth expelled, you are
no longer mine.
The blankets furrow, a cap
thrust clumsily atop
your head; and nearby the beep
and click of monitors.
Everything is changed, except
this abrupt end
is a beginning, too full
of life and its mess
refusing to count the cost.
Thursday, March 19, 2015
First draft:
Avox
The tongue is a ghost disturbing my wake
It is a lie
to call it Mother.
Would you have me pull it out by the roots
beneath muscle and sinew
before memory of pain?
Or spool it up, silent, in contortions of
guilt,
bitter, trembling, burnt.
It is secret and secretive
tasting only itself
till that too disappears.
An invisible coating that curdles every flavor.
Everything it tastes is second-hand
forgotten
half thrown out in disgust,
and retrieved always a moment
too late, the bitterness
of un-remembrance.
Avox
The tongue is a ghost disturbing my wake
It is a lie
to call it Mother.
Would you have me pull it out by the roots
beneath muscle and sinew
before memory of pain?
Or spool it up, silent, in contortions of
guilt,
bitter, trembling, burnt.
It is secret and secretive
tasting only itself
till that too disappears.
An invisible coating that curdles every flavor.
Everything it tastes is second-hand
forgotten
half thrown out in disgust,
and retrieved always a moment
too late, the bitterness
of un-remembrance.
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